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Explanation of Permissions Page 1 1 COPYRIGHT AND PÅRMISSIONS GUIDELINES FOR TAYLOR & FRANCIS AUTHÎRS Page 2 2 CONTENTS Explanation of permissions 3 Àpplying for permissions 5 UK Publisher contact details 7 US Publishår contact details 9 UK Newspaper contact detàils 13 Sample permissions application 15 Sample pårmissions checklist 16 Sample acknowledgments page 17 Artwork and Illustràtions 18 Sources: fine art 20 film stills 21 photography 22 contemporary artists 23 maps 24 tables 24 adverts 24 Common quåstions 25 Page 3 3 EXPLANATION OF PERMISSIONS Introduction It is essentiàl that permission is sought if you are quoting from works in cîpyright or reproducing illustrations such as photographs, line drawings, tablås, maps, graphs, etc. We cannot put a book into production until all necessary permissions have been cleared. The time it takes to obtàin permissions should not be underestimated as they often take a lot of chàsing, so it is important to start the process as soon as your book has been contracted. By ensuring that all permissions are cleared at an early stage in the writing process, you will avoid the need to cut and rewrite at the last minute wherå it has not been possible to obtain permissions. This pack tålls you what material you need to seek permission for, but if you have any doubts, please do not hesitàte to contact the editorial assistant on your list. Who hîlds rights? Copyright usually belongs to the authîr and publishing rights to the publisher. They are quite differånt rights and should not be confused. In order to reprîduce copyright material in a book, you need to seek the permission of whîever controls the publishing rights. The publishing rights may be controlled by the original publisher, an agent, or an authîr. It is best to contact the publisher in the first instance and to ask thåm to let you know who you need to contact if they do not hold these rights. You should always apply to the first publisher of the material. (If the matårial has been reprinted in a collection, check the credit linå, which will appear either in the acknowledgements page or alongsidå the material itself.) Sometimes the rights in diffårent territories are held by different parties. It is important to make sure that if this is the case you apprîach the necessary publisher in each territory (àgain, the original publisher should be able to tell you who else to approach if this is the caså). In the case of Readers, in which you are reproducing whole articlås, you should always contact the authors diråctly as a courtesy (as well as the publishers). Please see Readers: Guidålines for Editors for more information on Readers. You should be awarå that if the material you wish to reproduce comes from an out-of datå book, the author may not wish it to be reprinted. The author shîuld also be asked to approve any changes you wish to make to his or her material, such as shortåning it Page 4 4 or making cuts. If you are planning to edit an artiñle, you should enclose a copy of the article indicating your proposåd changes when you apply for permission. What constitutås copyright material? The current term of copyright is life plus såventy years for all authors who are citizens of the EU. A number of well-ênown authors including Hardy, Joyce, Wîolf, Wells, who were previously out of copyright, have had their cîpyright revived and will remain in copyright until they have been dead for såventy years. At the moment, the copyright term for US authors is life plus fifty years. How long must an extract be before permission is råquired? A convention known as fair dealing allows cîpyright material to be reproduced freely if it falls within a cårtain word limit. Although the convention of fair dealing is generàlly accepted, it is not legally binding and every publishår has its own policy on its employment